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《灵山》节选（英文版） 作者：高行健 |
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（二） You return to the bus station and go into the waiting room. The busiest place in this small town is now deserted. The ticket window and the parcel window are boarded up from the inside so knocking is useless. There's nowhere to ask so you can only go through the lists of stops above the ticket window: Zhang Village, Sandy Flat, Cement Factory, Old Hut, Golden Horse, Good Harvest, Flood Waters, Dragon Bay, Peach Blossom Hollow…the names keep getting better, but the place you want isn't there. This is just a small town but there are several routes and quite a few buses go through. The busiest route, with five or six buses a day, is to Cement Factory but that's definitely not a tourist route. The route with the fewest buses, one a day, is sure to go to the furthest destination: it turns out that Wuyizhen is the last stop. There's nothing special about the name, it's just like any other place name and there's nothing magical about it. Still, you seem to have found one end of a hopeless tangle, you may not be ecstatic but you're certainly relieved. You'll need to buy a ticket in the morning an hour before departure and you know from experience that with mountain buses like this, which run once a day, just to get on will be a fight. Unless you're prepared to do battle, you'll just have to get into the queue early. But, right now, you've got lots of time, although your backpack's a nuisance. As you amble along the road timber trucks go by noisily sounding their horns. In the town the noise is worse still as trucks, some with trailers, blast on their horns and conductors hang out of windows loudly banging the sides of the buses to get pedestrians off the road. The old buildings on both sides stand flush with the road and all have wooden shopfronts. The downstairs is for business and upstairs, washing hung out to dry-nappies, bras, underpants with patched crotches, floral-print bedspreads -like flags of all the nations, flap in the noise and dust of the traffic. The concrete telegraph poles along the street are pasted at eye level with all sorts of posters. One for curing body odour catches your attention. This is not because you've got body odour but because of the fancy language and the words in brackets after "body odour". Body odour (known also as scent of the immortals) is a disgusting condition with an awful, nauseating smell. It often affects social relationships and can delay life's major event: marriage. It disadvantages young men and women at job interviews or when they try to enlist, therefore inflicting much suffering and anguish. By using a new total treatment, we can instantly eradicate the odour with a rate of up to 97.53% success. For joy in life and future happiness, we welcome you to come and rid yourself of it… After that you come to a stone bridge: no body odour here and there's a cool, refreshing breeze. The bridge spanning the broad river has a bitumen surface but the carved monkeys on the worn stone posts testify to its long history. You lean on the concrete railing and survey the township alongside the bridge. On both banks, black roof-tops overlapping like fish-scales stretch endlessly into the distance. The valley opens out between two mountains where the upper areas of gold paddy fields are inlaid with clusters of green bamboos. The river is blue and clear as it leisurely trickles over the sandy shores but close to the granite pylons dividing the current it becomes inky green and deep. Just past the hump of the bridge the rushing water churns loudly and white foam surfaces from whirlpools. The ten-metre high stone embankment is stained with water levels: the new greyish-yellow lines were probably left by the recent summer floods. Can this be the You River? And does it flow down from Lingshan? The sun is about to set. The bright orange disc is infused with light but there's no glare. You gaze into the distance at the hazy layers of jagged peaks where the two sides of the valley join. This ominous black image nibbles at the lower edges of the glowing sun which seems to be revolving. The sun turns a dark red, gentler, and projects brilliant gold reflections onto the entire bend of the river: the dark blue of the water fusing with the dazzling sunlight throbs and pulsates. As the red disc seats itself in the valley it becomes serene, awesomely beautiful, and there are sounds. You hear sounds, elusive, distinctly reverberating from deep in your heart and radiating outwards until the sun seems to prop itself up on its toes, stumble, then sink into the black shadows of the mountains, scattering glowing colours throughout the sky. An evening wind blows noisily by your ears and cars drive past, as usual sounding their deafening horns. You cross the bridge and see there a new stone with engraved characters painted in red: "Yongning Bridge. Built in the third year of the Kaiyuan reign period of the Song Dynasty and repaired in 1962. This stone was laid in 1983." It no doubt marks the beginning of the tourist industry here. Two food stalls stand at the end of the bridge. In the one on the left you eat a bowl of beancurd, the smooth and tasty kind with all the right ingredients. Hawkers used to sell it in the streets and lanes; it completely disappeared some time ago but has now revived as family enterprises. In the stall on the right you eat two delicious sesame-coated shallot pancakes, straight off the stove and piping-hot. Then at one of the stalls, you can't remember which one, you eat a bowl of sweet yuanxiao dumplings broiled in rice wine: they are the size of large pearls. Of course, you're not as academic about food as Mr Ma the Second who toured West Lake but you do have a hefty appetite. You savour this food of your ancestors and listen to customers chatting with the proprietors. They're mostly locals and all know one another. You try using the mellifluous local accent to be friendly, you want to be one of them. You've lived in the city for a long time and need to feel that you have a hometown. You want a hometown so that you'll be able return to your childhood to recollect long lost memories. On this side of the bridge you eventually find an inn on an old cobblestone street. The wooden floors have been mopped and it's clean enough. You get a small single room which has a plank bed with a bamboo mat on it. The cotton blanket is a suspicious grey, either it hasn't been washed properly or that's the original colour. You throw aside the greasy pillow from under the bamboo mat and luckily it's hot so you can do without the bedding. What you need right now is to off-load your luggage which has become quite heavy, wash off the dust and sweat, strip, and stretch yourself out on the bed. There's shouting and yelling next door. They're gambling and you can hear them picking up and throwing down the cards. A timber partition separates you and, through the holes poked into the paper covering the cracks, you make out the blurred figures of some bare-chested men. You're not so tired that you can drop off to sleep just like that. You tap on the wall and instantly there 's loud shouting next door. They're not shouting at you but amongst themselves: there are always winners and losers and the loser is trying to get out of paying. They're openly gambling in the inn despite the Public Security Office notice on the wall prohibiting gambling and prostitution: you decide to check whether the law has any effect. You put on some clothes, go down the corridor and knock on the half-closed door. Your knocking makes no difference, they keep shouting and yelling inside and nobody takes notice. So you push open the door and go in. The four men sitting around the bed in the middle of the room all turn to look at you. But it's you and not they who gets a rude shock. The men all have bits of paper stuck on their faces, on the forehead, lips, nose and cheeks, and they look ugly and ridiculous. They aren't laughing and are glaring at you. You've butted in and they're clearly annoyed. |
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