PART 8


  EXT. TOILET. NIGHT.

  The toilet is a narrow concrete passage with a ditch along the bottom on one side. There is no roof but a single light above.

  Zeph is just finishing as he notices Richard.

  ZEPH

  Hey, Richard! I hardly fucking recognize you. Where have you been? The beach? Tell me - it's paradise.

  RICHARD

  There is no beach.

  ZEPH

  What?

  RICHARD

  The map is wrong.

  ZEPH

  You've been?

  RICHARD

  No. it's dangerous.

  ZEPH

  Danger - hey, you're calling my middle name. What kind of danger?

  RICHARD

  Doesn't matter.

  ZEPH

  I think you're trying to put me off.

  RICHARD

  I'm just telling you, for your own good: stay away. Don't go. Don't even try. Just forget it.

  ZEPH

  We'll do whatever we want.

  He goes to leave. Richard places a hand on his chest. They stop for a moment. Zeph pushes the hand away.

  ZEPH

  (continuing)

  Fuck you.

  Zeph walks past then turns back.

  ZEPH

  (continuing)

  Stay away from the mushrooms, Richard, they make you paranoid.

  EXT. BECH / STEPS. NIGHT.

  Richard and Sal are climbing the steps towards the bungalow reception.

  SAL

  That idiot Daffy? What was he doing - handing out Xerox copies to every asshole in Thailand?

  RICHARD

  Yeah, it's unbelievable.

  SAL

  Why? That's all I want to know. Why?

  RICHARD

  I don't know, Sal.

  SAL

  Pardon me for this, but thank Christ he's dead.

  EXT. BUNGALOWS RECEPTION. NIGHT.

  Richard and Sal enter from the steps. Behind them the party is still in progress.

  Sal approaches the desk while Richard hangs back.

  She greets Sumet who hands over one key.

  SAL

  Bad news.

  RICHARD

  What?

  SAL

  She gave away your room. She thought we were - you know - together. Sorry.

  RICHARD

  Right. Great. Well I'll go find somewhere else then. I'll meet you back here in the morning.

  SAL

  Richard.

  She shows him the key for the room.

  They look at each other.

  SAL

  (continuing)

  I'm going to play a couple of games of pool with Sumet.

  She throws the key. He catches.

  SAL

  (continuing)

  Why don't you go warm the bed?

  INT. BUNGALOW. NIGHT.

  The room is in darkness. Moonlight penetrates the threadbare curtain. The bed is surrounded by a mosquito net.

  The music from the beach party is audible.

  Just visible through the net is the outline of two human forms entwined.

  EXT. BUNGALOW. NIGHT.

  Lizards scuttle across the small porch.

  INT. BED. NIGHT.

  Surrounded by a wall of mosquito net, Richard and Sal lie on the bed.

  Sal lies on her side falling asleep. Richard is awake.

  RICHARD

  Sal.

  SAL

  Uh-huh.

  RICHARD

  Can I ask you a question?

  SAL

  It was great.

  RICHARD

  No, it's not that. I just wondered about Bugs. And me.

  Sal rouses herself.

  SAL

  OK, it's like this. Bugs is my boyfriend, my partner, and you, you're someone I just screwed. Is that ok?

  She turns on her side again.

  RICHARD

  That's fine. That's absolutely fine.

  SAL

  Good, now get some sleep - I may wish to have sex again before we eat breakfast.

  EXT. BEACH. DAY.

  Richard and Sal push the boat into the water and away from the beach, jumping on board as they do so.

  EXT. SEA/CLIFFS. DAY.

  Richard and Sal approach the outer cliffs of the sea-wall in the boat. Richard looks up.

  Bugs is standing at the top of the cliff, directly above the cave.

  INT CAVE. DAY.

  The sacks of rice are now contained in a net being hauled upwards on a rope towards and into the chimney which rises out of the ceiling.

  Sal swims away into the tunnel.

  EXT. CLIFF TOP. DAY.

  Bugs and Keaty haul the rice up with the aid of a block and tackle.

  INT. CAVE. DAY.

  Richard is alone as he looks up the chimney and watches the cargo disappear the last few feet to the top of the cliff.

  As it reaches the top it is swung aside and Bugs looks down.

  Richard and Bugs stare at each other down the length of the chimney.

  Richard casually clutches his groin and thrusts once.

  RICHARD (V.O.)

  Screwing Sal was pretty good but screwing Bugs - that was even better.

  INT. LONGHOUSE. NIGHT.

  The longhouse is full of inhabitants.

  Richard walks the length of the hut like Santa Claus despensing toiletries and other gifts as requested.

  He reaches Francoise alone at the end of the hut.

  He gives her the "French" soap.

  RICHARD

  For you.

  FRANCOISE

  I missed you.

  RICHARD

  I'm back.

  FRANCOISE

  What was it like?

  RICHARD

  The rice run? No problem.

  FARNCOISE

  I mean being with Sal?

  RICHARD

  Oh…fine. Listen, do you want to go to the beach?

  FRANCOISE

  I can't. Meet me tomorrow morning. Ten o'clock at the waterfall.

  She touches him as she walks away.

  RICHARD (V.O.)

  I didn't' feel as bad as I should have about all this. In fact I didn't really feel bad at all. What happened on Ko Pha Ngan was different, it didn't count.

  EXT. FOREST/WATERFALL. DAY.

  Richard is on his way to the waterfall.

  RICHARD (V.O.)

  And I was glad to be back. Now I really did understand why no one wanted to go for the rice. Life here was so good that going back to the world we came from could only bring you down.

  He reaches the area by the waterfall and stands waiting. He looks around for Francoise: no sign. He checks his watch: a few minutes to ten.

  SAL (O.S.)

  Hi there, Richard.

  Richard turns to see Sal, who has appeared as though from nowhere.

  RICHARD

  Oh, Sal. Hi.

  SAL

  Hi? Is that all you can say? I thought we had a little more rapport than that.

  RICHARD

  I mean, hello, nice to see you. What brings you here.

  SAL

  I was looking for you.

  RICHARD

  Oh. Well, here I am.

  SAL

  I have to go somewhere. I'd like you to accompany me.

  Richard checks his watch.

  RICHARD

  Right now? It's not really all that convenient, Sal.

  SAL

  I'm sorry. Are you meeting someone?

  RICHARD

  Me? No.

  SAL

  You sure?

  RICHARD

  Yes.

  SAL

  Good. So, you can come with me.

  (Unfortunately the copy of the script is now missing a page.)

  SAL

  If they reach the island, I want you to discourage them from getting any further.

  RICHARD

  "Discourage."

  SAL

  You'll think of something, Richard. I trust you.

  Sal kisses him on the cheak and leaves.

  Richard watches her go.

  RICHARD

  Sal! How long do I - Sal!

  She does not turn around.

  Richard turns back towards the other island.

  He focuses the binoculars.

  EXT. BEACH. DAY.

  The empty beach on the other island.

  EXT. HILLTOP. DAY.

  Richard is not pleased.

  EXT. BEACH. NIGHT.

  Richard and Francoise are sitting in the shadows.

  RICHARD

  She didn't tell me how long I was supposed to wait or anything. You know what she's like, she just gets you to do things.

  FRANCOISE

  What kind of things?

  RICHARD

  Just things, you know.

  FRANCOISE

  No, I don't.

  RICHARD

  Hey, what's wrong - I'm sorry I wasn't there today. Is that it?

  FRANCOISE

  I think Sal is attracted to you.

  RICHARD

  No, I don't think so.

  FRANCOISE

  On Ko Pha Ngan, did anything happen?

  RICHARD

  Happen? No, nothing.

  FRANCOISE

  You promise.

  RICHARD

  I promise.

  FRANCOISE

  Good.

  They kiss.

  RICHARD (V.O.)

  Ok, so I lied. It just wasn't the right time.

 

© RON NYSWANER


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