| EXT. BANGKOK. NIGHT.
A single headlamp in close up shines directly and brightly out
Extreme noise and light.
Beyond its glare can be seen the outline of a motorized tricycle
("tuk-tud") and its Thai driver
A young man, Richard, sits in the back, his rucksack beside him,
swaying with the motion of the vehicle. He is worn and sweating.
They travel through nocturnal Bangkok: fleets of tuk-tuks, taxis,
road works, food vendors, dogs, tourists.
Music and credits.
EXT. KHAO SAN ROAD. NIGHT
The bright headlight comes to a halt.
Richard climbs down from the tuk-tuk
RICHARD (V.O.)
When you hit Bangkok, there's really only one place to go.
The street is busy, full of Thai's and travelers.
Richard picks his way through the crowd, his rucksack on his
back.
He absorbs the scene as he passes boarding houses and hotels,
and the shops and stalls selling food, clothes, pirated tapes, jewelry,
travel tickets, and international phone calls. Restaurantes are
filled with western travelers watching American films or European
sport.
RICHARD (V.O.)
(continuing)
The Khao San Road is a decompression chamber between east and
west. It's where you learn to breathe car fumes and tropical air
for the very first time, or else carefully rearrange your memories
before you catch your flight home.
Richard is approached by a young male Thai Hustler who walks
backwards in front of him while making his pitch.
HUSTLER
You need somewhere to stay?
RICHARD
I'll be OK, Thanks.
Richard politely ignores each of his subsequent offers.
HUSTLER
What do you want? Sell your passport? Buy passport? Airline tickets?
You want silk? I'll take you to the best silk place? You get a suit
in twenty-four hours. Diamonds? You want to come with me, you get
present for your girlfriend. Maybe no girlfriend. You want a girl,
no problem. Good time. Boy girl fucking no problem. You want to
drink some snake blood?
At this last one Richard stops and addresses the Hustler.
RICHARD
No thanks.
Richard walks on, the hustler fading out behind him.
HUSTLER
You want designer clothes? I get you Versache, Gucci, Armani,
no problem. You want a camera, all the best makes: Nikon, Leica,
Canon I can get you.
RICHARD (V.O.)
Yeah, it's all here: you an phone home, meet up with strangers,
split up with your friends, watch Hollywood movies while you sip
Budweiser and eat a burger or get some massage and green chicken
soup. You could be anywhere in the world bu you could only find
it here. And what do they want, all these people?
EXT. KHAO SAN ROAD. NIGHT./ INT. BARS AND SHOPS. NIGHT.
Various young travelers, male and female, in snapsho9t exerpts,
address their comments to the camera or each other.
TRAVELER 1
Where you been?
TRAVELER 2
Where you going?
TRAVELER 3
I've been there
TRAVELER 4
It's a waste of time
TRAVELER1
We just got back
TRAVELER2
Fantastic
TRAVELER 3
How much did it cost?
TRAVELER5
A complete rip off.
TRAVELER3
Too many people. There's a much better place along the coast.
TRAVELER 4
We're going exploring. We've read this book. It tells us all
the best places to explore.
TRAVELER 2
I know a place that everyone says is really unspoiled.
TRAVELER 1
I heard they built a big hotel there.
TRAVELER 5
Some sort of sewage problem, apparently.
TRAVELER 1
We're going anyway: all the rooms have got air conditioning.
RICHARD (V.O.)
But for me it's all about finding out something about a place,
and something about yourself. And when you get off the beaten track,
that's where you find out what there is to find out.
Richard turns into one of the restaurants.
INT. RESTAURANT. NIGHT.
The restaurant extends deeply back away from the street. Richard
passes many diners not dissimilar to himself. Some are talking,
many are engrossed in the video entertainment.
At the back he reaches a reception desk where he drops his pack.
A Thai female HOTEL RECEPTIONIST sits behind the desk. She immediately
shows Richard a "menu" of available rooms. The menu offers
a spread of prices for single/double/window/fan/aircon/bathroom.
Richard points to the cheapest combination and hands over 300
baht.
The Receptionist becomes aware that he is being started at.
A worn, disheveled man in his mid-thirties is standing at the
nearby bar, a bottle in his hand, studying Richard. This is Daffy.
RICHARD
Good evening.
Daffy says nothing but continues to stare and takes a drink.
Richard will not be stared down. Neither turns away.
The Receptionist passes over a key and smiles broadly.
HOTEL RECEPTIONIST
Welcome to Thailand.
Richard turns to her.
RICHARD
Thank you.
INT SHOWER. NIGHT
In a small windowless shower room, Richard stands motionless,
eyes closed, facing with pleasure the spray of cold water.
INT. HOTEL CORRIDOR. NIGHT
The sound of the shower can be heard through a door marked with
a shower sign.
The sound stops and the door is opened. Richard emerges with
a towel wrapped around his waist, carrying his key and washbag.
He walks the short distance to his room. He puts the key in the
door but the lock is stiff and he has to fiddle with it, bent over
and dripping water on the floor.
While he is doing so, the sound of footsteps climbing nearby
stairs can be heard.
There is the sound of a loud wolf-whistle.
Richard turns to the source of the whistle.
A beautiful European woman is smiling at him. This is Francoise.
She approaches and takes the key from his hand. She turns the key
in one direction, then the other, while twisting the handle.
FRANCOIS
Et voila.
The door swings gently open. She stands back
RICHARD
Thank you.
Footsteps approach from the stair.
Francoise is joined by a young man, ETIENNE, who catches up with
her. He nods at Richard as he takes her arm. They walk away from
Richard to the next door.
FRANCOISE
Bonsoir.
RICHARD
Eh - bonsoir.
ETIENNE
Goodnight.
The couple reach their door. They enter their room and the door
is closed behind them.
Alone in the corridor again, Richard contemplates their presence.
RICHARD (V.O.)
I was traveling alone for two reasons. First of all, being alone
allows you more opportunity to absorb your experiences on a personal
level. Secondly, and this I felt acutely at that moment, there was
no one who wanted to go with me.
INT RESTAURANT. NIGHT
Richard is in the restaurant which is quiet now.
He is alone at a table eating and drinking. On a high shelf several
feet away a Hollywood action film, all gunshots, car chases, and
explosions, plays on the television.
Most of the tables around him are empty.
Richard is interrupted by the man he met earlier, Daffy, who
pulls up a chair beside him.
DAFFY
Excuse me.
RICHARD
Yes?
DAFFY
I'm Daffy.
RICHARD
Richard. Hi.
DAFFY
Look, I'm sorry to bother you but I was wondering if you could
help me out.
RICHARD
Help you out?
DAFFY
Yeah; just ten or fifteen dollars maybe.
RICHARD
I'm sorry, I don't think so.
DAFFY
I'm waiting on some money coming through. It's just that at the
moment, you know, I'm short. They're going to chuck me out. On the
street in Bangkok, that's bad.
RICHARD
I'm really sorry but I just arrived; I'm on a pretty tight budget
myself. I just can't afford it.
DAFFY
Just five dollars, please.
He leans in close to Richard
DAFFY
(continuing)
I'll share something with you.
RICHARD
I'm sorry. I can't lend you any money.
Daffy retreats.
Richard turns back to the video and his food.
Daffy approaches two young women sitting at a nearby table.
DAFFY
Excuse me, ladies, is there any chance you could help me out.
I'm down on my luck at the moment.
The two young women seem uncomfortable. Richard notices.
DAFFY
(continuing)
if you could see your way to lending me some cash -
RICHARD
Here.
He leans across and holds out a ten dollar note for Daffy.
DAFFY
Thank you, sir. Thank you. I promise I will repay you.
RICHARD
Just take it, OK.
Daffy takes it.
Richard returns to the video as a big yellow explosion is reflected
on his face.
INT. RICHARD'S HOTEL ROOM. NIGHT.
Some light enters from the street through a small window.
Richard lies on his bed, watching the fan rotate above him.
He is listening to the sound of Etienne and Francoise engaging
in noisy sex. They reach the climax of their activity and fall silent.
Richard just has time to enjoy the silence when a new disturbance
begins, this time from the next room in the other direction. It
is a man, Daffy, banging on the wall just above Richard's head and
shouting in time.
DAFFY (O.S.)
Have. You. Got. Anything. To. Smoke.
Have. You. Got. Anything. To. -
INT. HOTEL CORRIDOR. NIGHT.
Richard knocks sharply on the door of Daffy's room.
The door is opened immediately by Daffy, looking even worse then
before.
RICHARD
No, I don't have anything to smoke.
Daffy stares at him for a moment. Recognition dawns.
DAFFY
You. You're the guy that lent me the money.
RICHARD
Yeah, that's right. Now could you be quiet so I can get some
sleep.
DAFFY
Ten dollars. I'll find a way to pay you back. How would you like
to know About somewhere special? The perfect beach. Paradise. No
one else knows about it. That's got to be worth something. What
do you say?
RICHARD
Look I don't care about the money right now: I just want some
sleep. So if you could be quiet -
DAFFY
Yea, OK. I will be, I will be, I promise.
RICHARD
Thanks.
Richard turns away.
DAFFY
Richard -
He turns back.
DAFFY
(Continuing)
Been nice knowing you.
He sticks his hand out.
Richard politely reciprocates.
RICHARD
Sure.
They shake hands.
INT. EXT. RESTAURANT. DAY.
The restaurant fronts on to the street where a new day's activity
is beginning.
Richard watches this as he eats his breakfast.
He notices Etienne and Francoise sti down at the next table.
RICHARD
Bonjour.
ETIENNE
Good morning.
FRANCOISE
Did you sleep well?
RICHARD
Not too bad.
FRANCOISE
I hope our noise did not keep you awake.
Richard looks from one to the other.
RICHARD
The noise? Don't worry. You're on holiday.
ETIENNE
She means your neighbor. The Scotsman
RICHARD
Oh, that noise! Yes, he certainly did.
ETIENNE
We moved rooms because of him.
FRANCOISE
He tried to borrow money from us.
ETIENNE
What idiot would lend him money? It would disappear.
FRANCOISE
He said if we lent him money h would tell us about a secret beach.
ETIENNE
It's on an island that no one get to.
FRANCOISE
But he has been there, off course.
ETIENNE
It was ridiculous; all this at three o'clock in the morning.
RICHARD
It would be nice though, if there was a place like that. You
know, that no one could get to.
ETIENNE
Of course, but look; all these people. If that place existed,
they'd all be there.
INT. TRAVEL AGENT'S. DAY
On a large board are details, photographs and prices of various
standard excursions. A Thai TRAVEL AGENT reels them off at great
speed.
TRAVEL AGENT
Nakhon - Pathom - Phra Ptahom Chedi - Damnoen Sadual floating
market - eight hundred baht. Kanchanburi - Erwan national Park Phrathat
Cave, huang Khamin Falls - six hundred baht. Nam Tok, hellfire Pass,
Three Pagodas, Sai Yok National Park - fifteen hundred baht. Bang
Pa In Royal Palace, Ayatthaya, Wat Phra Manhathat, Wat Raburna -
one thousand baht. What do you want?
Richard studies the board but is not excited.
RICHARD
Twenty Marlboro light, please.
Instantly the Travel Agent produces the packet of cigarettes
from a shelf and lays them on the counter.
|
